Happy

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Happy’s defining decision sits in the seat back: a metal frame filled with a hand-woven, open-weave pattern made from cowhide cord, rather than being upholstered to match the seat. That graphic, semi-open backrest is set against a soft, goose-down-filled seat and cushions, so the chaise pairs a structural, woven back with a genuinely soft place to lie down, an intentional contrast rather than a single consistent material telling one story.

The metal frame supports armrest surfaces covered in hide leather over a polyurethane foam cushion, while the backrest itself is woven from cowhide cord rather than upholstered fabric. Seat and seat-back cushions are filled with sterilized, gold-label-certified goose down, with a crushproof insert built into some of them and an optional bolster held in place by a metal insert on others. The whole cover comes off completely in both the fabric and leather versions, and the tailoring is finished with grosgrain piping, worked either tone on tone or in a contrasting color against the body of the piece.

As a chaise longue, Happy suits a living room corner set apart for reading or lounging rather than a full seating group, where the woven back can be seen from more than one angle. Because the piping can run tone on tone or in a contrasting color, designers should settle that detail early, since it is the one visible signature that changes how graphic the finished piece reads against the room around it.

For full specifications, materials, and configuration options, visit the Flexform official website.