Gregory

by Antonio Citterio

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Gregory’s argument starts with the base: an exposed metal frame left visible rather than hidden under upholstery, with the elastic webbing that carries the seat cushions wrapped in leather and finished the way a garment is tailored rather than simply upholstered. That contrast between a plain metal structure and a hand finished leather wrap is what gives the sofa its formal, slightly architectural character within a modular seating system built to be arranged many different ways.

The same tailoring shows in the grosgrain piping that outlines every cushion, a couture detail carried over from the company’s upholstery work rather than an added trim. Backrest cushions and the bolster are filled with goose down, which is what gives the sofa its softness against the more structured base beneath it, and the cast aluminum feet extend the metal language of the frame down to the floor. Both the fabric and leather cushion covers come off, so the upholstery can be maintained or refreshed without replacing the sofa itself.

Because Gregory is built as a modular system rather than a fixed sofa shape, it composes into arrangements sized to a specific living room rather than being limited to a single sofa and loveseat pairing, which makes it a natural fit for an open plan living space built around one long seating run. A designer working with the leather wrapped base should treat the metal frame as a visible material in its own right, choosing a leather that reads well both as trim and as a structural element rather than treating it as an upholstery afterthought.

For full specifications, materials, and configuration options, visit the Flexform official website.